Behringer Ultralink MS8000 8‑channel Microphone Splitter
When it comes to connectivity on the stage or in the studio, you can never have too much – and that’s where the ultra-flexible MS8000 8-Channel Microphone Splitter makes all the difference. The MS8000 provides the ideal solution for live and recording musicians who need to send signals to multiple locations, including mixing and recording consoles, In-Ear-Monitors (IEMs), floor wedges, broadcast trucks and much more. With 8 Inputs and 16 Outputs, the MS8000 easily connects you to the Front of House (FOH) console – and sends duplicate signals to your choice of destination devices.
The Behringer Ultralink MS8000 is a professional 8‑channel microphone splitter designed to distribute microphone signals cleanly and reliably across multiple destinations in live sound, studio, broadcast, and installation settings.
Built in a compact 1U rack‑mount chassis, this unit provides 8 balanced XLR inputs and 16 balanced XLR outputs, with each input split into two independent outputs—typically a Direct (post‑transformer) and a Link (pre‑transformer) signal—so you can send the same mic signal to different mixers or devices simultaneously without degradation.
Each channel also features ground lift switches to help eliminate hum and buzz caused by ground loops, and high‑quality transformer isolation that preserves signal integrity while minimizing noise. The splitter is a passive device, meaning it doesn’t require external power, and its rugged metal construction makes it suitable for frequent transport and live environments.
A useful feature is the ability to link adjacent channels so a single source can feed additional outputs or function as a simple passive mixer if needed—a flexible option for complex routing needs on stage or in the studio.
Summary
The Behringer Ultralink MS8000 is a versatile 8‑channel mic splitter known for:
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Splitting each mic input to two independent outputs for flexible routing
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Ground lift and transformer isolation for cleaner audio with reduced noise
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Passive operation (no external power) and rack‑mount design
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Ideal for live sound reinforcement, recording studios, broadcast, and installations
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