PreSonus Eris E5 XT
Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you’ve come to expect from PreSonus.
PreSonus Eris E5 XT
Building upon the success of the original, the PreSonus Eris E5 XT Two-Way Active 5″ Studio Monitor offers the same robust connectivity options with an updated driver combo and a larger ported enclosure. The Hugh Sarvis designed EBM waveguide delivers a wider and more controlled sweet spot, ideal for group listening and collaboration. The E5 XT utilizes 80W Class-AB biamplification to power the 5″ woven composite woofer and 1″ ultralow-mass, silk-dome high-frequency driver, which combine to deliver up to 102 dB of continuous SPL
The Eris E5 provides a balanced XLR, a balanced ¼” TRS, and an unbalanced RCA line-level input. Dial in the acoustic tuning controls for a flattened frequency response and an accurate mixing contour. The acoustic controls on the rear panel include Level, HPF, LF-Trim, HF-Trim, and Acoustic Space. The PreSonus Eris E5 XT ships with a power cord. It is easy to feed audio to your Eris E5 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 XT monitors provide balanced XLR, balanced 1/4-inch TRS, and unbalanced RCA line-level inputs. You will have no problem hooking your Eris speakers up to virtually anything.
The Eris XT studio monitors is outfitted with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It is ideal for group listening and collaboration‚ while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Features:
- 5.25-inch woven composite low-frequency transducer and 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- 100˚(H) x 60˚(V) EBM waveguide for wide sweet spot
- Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
- 70 watt, Class AB amplification
- 102 dB maximum continuous SPL, with 48 Hz to 20 kHz frequency response
- Acoustic Tuning controls: HF (±6 dB, continuously variable); Midrange (±6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
- RF interference, output current limiting, over-temperature, transient, subsonic protection and amplifier “soft start” feature (eliminates popping on power-up)
- Internal power supply with IEC connector and power switch with on/off LED
- Balanced XLR and ¼-inch inputs and unbalanced RCA inputs
- Studio One™ Prime and Studio Magic Software Suite
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Microphone Pop Filters Shield Specifications
- 【Two-screen Pop Filters】 The first screen blocks air blasts as any pop filter normally would; The gap in between then disperses any remaining air pressure, so by the time it passes the second screen, the blast is easily contained. Efficiently reduce the plosive, wind interference, and saliva spraying during your recording or broadcasting, and get a clear and loud sound.
- 【Adjustable Gooseneck】The pop filter has a flexible 360° gooseneck clip stabilizing arm that can support its own weight and is enough to hold the microphone stand and the inner rubber ring is perfectly matched to your microphone.
- 【MULTI-SCENE APPLICATION】:Studio microphone mic wind screen pop filter mask shield is an essential item for recording, speaking or singing; can be used for singing, voiceover, podcasts, vlogging and anywhere else you need quality sound.
- 【Functions】 Banish the dreaded hissing and lisping sounds that come when pronouncing the letter “S” and block those ugly “plosives” that follow “B” and “P”. Swivel mount for easy installation.
- 【PACKAGE & GUARANTEE】:1 X Pop Filter. If you have any problems after receiving this item, please don’t hesitate to contact us, we will try our best to resolve all issues.
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- 1-inch soft-dome tweeter provides clarity and extended response up to 35kHz
- 5-inch glass-aramid composite woofer delivers clear midrange and tight bass
- Bi-amped, class A/B amplifier offering large headroom and low distortion
- Proprietary waveguide technology optimized for superior imaging
- Low-frequency adjustment tailors the monitors to taste and adjusts for room acoustics
- High-frequency adjustment tailors the system to personal taste
- XLR, 1/4-inch and RCA inputs for universal connectivity in any studio environment
About the item
The Mic Stand is a microphone stand designed for floor and tabletop use. The stand offers a height-adjustment range of 11.2 to 15.75″, using a boom arm measuring 12.2″ in length that helps you close-mic sources like guitar amplifiers or vocals (in a tabletop setting).
The flat, unobtrusive base saves space, while four elastic rubber feet on the base fight against the sonic issues associated with coupling.
The boom arm adjusts with a wingnut, while a clutch facilitates height adjustments. The stand is constructed out of steel and features a two-piece folding design. At the end of the stand, you’ll find a 5/8″ thread that fits standard microphone mounts.
Studio monitors are an essential tool for musicians and producers looking to achieve precise and accurate sound reproduction. Among the top choices in the market is the KRK Rokit M8 Studio Monitor.
PreSonus Eris Studio Monitors Features:
- 4.5-inch, woven-composite, low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- 50W (25W/side) Class AB amplification
- Bluetooth 5.0 wireless stereo input
- RCA and ¼-inch balanced TRS rear-panel inputs
- Front-panel 1/8-inch stereo Aux In for use with mobile audio devices
- Integrated headphone amplifier with front-panel stereo 1/8-inch jack
- High- and low-frequency controls let you fine-tune the speaker’s response
- Front-panel Volume control
- Rear-firing, round bass-reflex port


















